You have reached the MCPP -
Monumental Collaborative Puzzle Prints
PUZZLE PROJECT #2: "The Great Baren Cairn" A collaboration by its members
INDEX | INSTRUCTIONS | PARTICIPANTS
The project diary continues HERE 2008
2/11/2008
Here we go, I finally get to get on with the printing!
First and foremost, a huge THANK YOU to the folks at Graphic Chemical for their
generous discount of the 600 sheets of Stonehenge Cream, upon which the Baren
Cairn will be inked and pressed.
Below is the 2006-2007 Progress Diary
9/20/2007
Eight blocks left to come, many are promised and only one possible MIA. We're
getting close!!
6/4/2007
Only 16 stragglers! Send them, please...get carving. Thank you thank you.
5/9/2007
Quick update, so far 47 blocks received and 32 to go. If you think about it for
a moment, it's a miracle this kind of project gets done at all, hey? I am excited
to see all the blocks stacking up. Don't forget to send me collophon information
of some kind through this page:
IMPORTANT!!! EVERYONE PLEASE submit
your print details HERE
At the bottom of this page is the list of participants. Those in BOLD are off the hook.
4/13/2007
20 blocks received! Excellent progress!
4/4/2007
15 blocks received. Reminder, deadline May 1st
Address to send block and $ (suggested contribution $12.00+ for mailing
back, paper, ink)
Maria Arango
2544 Casey Drive
Las Vegas NV 89120
IMPORTANT!!! EVERYONE PLEASE submit your print details HERE
2/10/2007
Update to all participants.
11 blocks received so far! Thank you all and remember that the deadline is
only 4 months away. Let's get to carving the little blocks and send them
back to me.
8/29/2006
Update to all participants. CAIRN FAQs
Q1. Can I proof my block?
A. Yes, blocks can be proofed. Feel free to proof with water based, oil
based or any material other than road tar, as I need the block
perfectly CLEAN returned to me. Sorry, I didn't mean to raise my voice when
I said CLEAN. Try to avoid submerging the block in the dish water for
prolonged periods of time as that will probably warp it--Translation: clean
with minimum of flowing liquids so as to not disturb the height of the block
by expanding and shrinking.
Q2. Do I have to consider the overall design?
A. Nope, your block is yours to do with as you wish. Think of the project as
a collage, not an overall design for you to fit to. The beauty of these
puzzles is that everyone does their own thing and the overall design brings
all the pieces together, much like a collage. Don't worry about your
neighbors.
Q3. Does the arrow mean anything important?
A. The drawn arrow on the back of your block points to the sky above the
cairn. You may toss your rock to land whichever way you want it, even upside
down. I think different orientations of the pieces will lend interest to the
cairn. So if you got a vertically oriented block and you have the perfect
horizontal design, go for it.
Q4. I've only cut linoleum or wimpy woods like shina before, what can I do
to make my block easier to carve?
A. Give your block a light coating of mineral (baby oil) or linseed oil.
Listen to the wood go: glu glu glu, aaaahhhhh...then proceed with carving.
Your knives will glide into the cherrywood like skaters on ice, or something
like that. (No more wine for me before posting, I promise).
So far that's about all the questions that more than one of you have asked.
Enjoy the ride! Thanks for playing everyone.
8/14/2006
Wood is cut, map is made, and the blocks have been mailed!
Participants will receive instructions with
their block and now my job is done until I get the blocks back. Remember the
deadline, May 1st, 2007. Feel free to email me anytime if there are questions
or concerns. Certainly if you do not receive your block by mid-September, please
email me and will try to track it down. Good luck with your design and thanks
for playing!
A map of the complete project can be found on this pages, can you find your block?:
Pictures below show my "mailing room" with envelopes, "maps" of the Cairn image, hand-outs with instructions and labels with participants addresses. Not very exciting at this point, but when all the envelopes are filled and gone, that's exciting!
8/08
After a slight delay having to do with a post-surgical dog (who still can't walk)
and other assorted disasters, I finally caught up with the fun stuff. Some
pictures to update the project follow.
1. The WOOD, three cherry plywood planks (21.5 x 29.5 inches each), freshly
cut to Maria-press size and sanded lovingly. They sit (stand? lie?) on what
I call a desk-extender, a 4 x 7 foot slab of chipboard and formica. It's a
great way to enlarge your working area without getting huge furniture. If space
is limited for other activities (gasp! other than art?) the slab can be removed
and stacked against a wall until needed again. The formica makes cleaning a
snap!
Notice my "models" on the left of the wood; they are ready to pose for me.
THM.jpg)
2. Interesting problem! How to fit exactly 79
pieces onto a cairn design without
needing another block?! I almost gave up and bought another block, but stubborn
as I am, the third try yielded exactly the pieces needed within a nice pile
of rocks. You can't see a darned thing in pencil, can you...next pic shows
the final design.
THM.jpg)
3. The Cairn has risen! I figure that our pile of rocks has to be alot like Barenforum itself. As a whole, a nice collective of individuals, some in clusters, some loose but nicely wedged inside our group. The entire "pile" stands in perfect balance supported by all and, while potentially some erosion and attrition occurs, as others walk by the cairn the missing rocks are replaced and the cairn stands tall and whole.
Okay, so much for poetic prose, it took me TWO DAYS to design the darned thing
so that all 79 rocks would fit and the entire pile would be pleasing, so if
anyone quits on me and I'm missing a rock at printing time I will come get
you personally with a real rock and bop you upside the head. I'm kidding of
course...(or am I?). Anyhow, off to the saber saw.
THM.jpg)
4. While it's nice with the foreshortening, here is a rectangular rendition;
to get the proper picture I'm standing on tippy toes on a stool on a desk,
please don't try this at home (I am a professional).
.jpg)
.jpg)
7/20
I'm drawing my design today on freshly sanded cherrywood (plywood). Mind you
all that our air conditioner was hit by lightning on Monday and still waiting
for the insho'ance company to approve a replacement unit. No a/c, 112 today
and humidity in the 30%'s which is virtually sopping wet for our desert climate.
I wish we got some rain, actually. Even my fingers are sweating while I type.
But I sanded anyway and now I'm drawing and, barring another power outage, I will cut over the weekend and ship next week. Ah, the sacrifices...truth be told, it's really only 97 inside the house and about 102 in the studio, and other than my oily ink separating and the cats freaking out from the noise of fans blowing all over the house, all is well and proceeding as planned (right).
All of you attending the Summit that are also in the Cairn project, you will receive your blocks then. The rest of you will receive them within four weeks of this writing. I now have to turn my computer off to conserve therms.
7/17
7/4/2006
After a slight delay to allow for art festivals and other distractions, I ordered
wood last week. The same delicious cherry plywood that was used for Puzzle#1
will be used for the Cairn. Wood is due here in command central in a couple
of days. I will drop all other projects (with the exception of watching the
World Cup and the Tour de France) and dedicate myself to the exciting task
of sanding and chop-chopping wood into individual stone size pieces.
The design is all set in my mind and I will probably stick to it rather than randomly place the pieces as they come. Allows for a bit of breathing on my part as the framework will be done. Mailing to take place in about two weeks. Anyone needing to update their mailing address, please do so rather quickly. Contact me maria (AT) mariarango (dot) com.
Sign up closed on 4/20/2006. Seventy-nine brave participants awaiting their little chunks of wood.
SUMMARY:
Each participant designs and carves a piece of a large block. Coordinator prints.
Participants get back prints of the whole block.
COORDINATOR (once more the foolish one):
Maria Arango contact: maria
mariarango.com
THEME:
THE THEME is "The Cairn", as tightly or loosely interpreted as each
participant wishes. In my view, Baren is much like a cairn, with all sorts of
people coming and going and everyone leaving their little stone as a marker,
indication, simple "I was here", bit of guidance, pebble of wisdom,
and an infinite etcetera. While the last puzzle sought an answer for the question
"What is Baren?" the Cairn theme perhaps states "My contribution
to Baren" or "How I fit into Baren" or simply, as a traveler
might, "this is my footprint" but that's just three of many possible
interpretations.
For much on cairns, here is the ever helpful Wiki entry:
http://en.wikipedia.org/wiki/Cairn
Suggestion: Discussion in the forum may bring up some ideas. Googling
"cairn" will definitely bring up some ideas.
Moderator will NOT refuse any design on any basis, we're artists
for crying out loud.
SIGN UP:
Sign up is closed and the project is underway.
DEADLINE:
May 1st, 2007. Approximately 12 months from completion of sign up. I will print
the entire project in the spring/summer of 2007.
FORMAT/DETAILS:
Coordinator will purchase as many blocks as required for the size of the project;
the Cairn allows for a scroll-format so that this may be a looooong print (my
press allows for a width of 22 inches or 34 cm). The blocks will then be sawn
in as many pieces as there are participants. The pieces will be irregular and
resembling rocks or pebbles which, when pieced together, will form the cairn
or stack. The shape of the stack (or stacks?) will remain undetermined until
all the sign-ups are received.
Upon sign up completion:
- Each participant receives a pre-cut block, approximately 5" x 7" (12.7 x 17.8
cm) in size and of an irregular shape. There will be a pre-set orientation marked
on the back of each block (which way is up).
- Design and carving starts in the privacy of everyone's homes and at whatever
pace you should like to work as long as the deadline is met, a generous 12 months
after sign up. Don't worry, I will remind everyone periodically. Any carving/gouging/sanding/injuring
method may be used on the block; final block will be printed relief.
- Participants mail the blocks to the coordinator at their expense.
After all the blocks are received by the coordinator:
- The individual pieces will be re-assembled and printed in BLACK on WHITE paper,
so keep that in mind when designing.
- Any drop-outs will result in a missing puzzle piece, which would be an interesting
statement of what someone thinks of their contribution to the Baren Cairn. I
will substitute the missing piece with a blank block or a proper substitute
participant may enter late in the game. May I remind participants that this
substitution process was a real pain last time as new blocks have to be cut
in precisely the shape of the missing piece.
- Ink will be oil-based BLACK and I will most likely use a heavy printmaking
off-white paper such as BFK buff or similar.
- Each participant gets 2 prints of the entire cairn. A total of:
participants x 2 (+1 archive) prints will be pulled. As the blocks will be glued
to a backing due to prior experience, the block will remain with the coordinator
and loaned to any exhibitions.
- Web exposure, participants names and process pics will be provided in my website,
linked from the Baren site and from this page.
- Participants pay only postage to mail the blocks and return postage to get
the prints; those details will be given later. Block, ink, paper, elbow grease
and mailing boxes/tubes provided by coordinator. Voluntary contributions toward
expenses gladly accepted.
79 Participants for The Baren Cairn as of 4/21/2006, welcome all to the
Cairn!
Participants appearing in BOLD! have already returned their
blocks
| Full Name | City | State | Country |
| AEleen Frisch | Wallingford | CT | USA |
| aimee youmans | gustavus | alaska | usa |
| Andrew Gott | Tarpon Springs | FL | USA |
| Angee Lennard | Chicago | IL | US |
| anna huskey | santa cruz | CA | USA |
| Arafat Al-Naim | Amman | Jordan | |
| Barbara Mason | Aloha | OR | USA |
| Barbara Patera | Issaquah | Washington | USA |
| Bea Gold | Los Angeles | CA | USA |
| Benny Alba | Oakland | CA | USA |
| Bette Norcross Wappner | Erlanger | KY | USA |
| brad robinson | san francisco | ca. | USA |
| Carol Gilbert-Wagner | Sacramento | California | USA |
| Carol L. Myers | Indianapollis | IN | USA |
| Carol Lyons | Irvington | New York | USA |
| Carole Carroll | Seattle | WA | USA |
| Carolyn Coates | Middletown | CT | USA |
| Charles Morgan | Victoria | B.C. | CANADA |
| Claudia G. Coonen | Haiku | HI | usa |
| Colleen Corradi | montesilvano (PE) | italy | |
| Connie Lambert | Fenton | MO | USA |
| Connie Pierson | Spokane | Washington | USA |
| Cyndy Wilson | Spokane | WA | USA |
| Dale Phelps | Waterloo | IA | US |
| Daryl DePry (Double D) | Henderson | NV | USA |
| Diane Cutter | Ceiba | Puerto Ric | USA |
| Doug Haug | Colorado Springs | CO | USA |
| Elizabeth Atwood | Topsham | ME | United States |
| Ellen Shipley | Santa Clarita | CA | USA |
| Frank Trueba | Scotts Valley | CA | US |
| Gayle Wohlken | Burton | Ohio | USA |
| George Jarvis | Shimokitate | Akita | JAPAN |
| Gilda Machado- Zimmerling | West Hills | California | USA |
| Gillyin Gatto | Machias | ME | USA |
| Harry French | Nettleham : Lincoln | Lincolnshire | UK |
| Jae Sullivan | Ithaca | NY | USA |
| James Mundie | Philadelphia | PA | U.S.A. |
| Jan Telfer | Dalkeith | Wester Au | Australia |
| Jean Womack | Richmond | CA | U.S.A. |
| John Center | Chicago | Il | USA |
| judy barringer | trumansburg | ny | us of a |
| Julianne Kershaw | Woombye | Queensland | Australia |
| Julie Sparks | Salem | OR | USA |
| Julio Rodriguez | Skokie | Illinois | USA |
| Kathe Welch | ALAMEDA | ca | USA |
| Kimberly Shields | Ctr. Barnstead | NH | USA |
| Kristine Alder | Richmond | UT | USA |
| LD Lawrence | Sequim | WA | USA |
| Liz Horton | Englewood | NJ | USA |
| Louise Cass | Toronto | Ontario | Canada |
| Lynita Shimizu | Pomfret Center | CT | USA |
| Marcia Morse | Kailua | HI | USA |
| Maria Arango | Las Vegas | NV | USA |
| Marilynn Smith | Nahcotta | Washington | USA |
| Mary Kuster | Lexington | KY | USA |
| MaryAnn Brooks-Mueller | Laredo | Texas | Mexico |
| Mellissa Read-Devine | Sackville North | NSW | Australia |
| Michael Fraley | Fort Wayne | IN | USA |
| Mike Lyon | Kansas City | MO | USA |
| Murilo Antonio Pereira | Florianópolis | Santa Cata | Brazil |
| Nancy Osadchuk | Calgary | AB | Canada |
| Oscar Bearinger | Eganville | Ontario | Canada |
| Patricia Hunsinger | Homer | NY | USA |
| Renee A. Ugrin | Clackamas | Oregon | USA |
| Robert Viana | Naples | FL | USA |
| robin morris | Sacramento | CA | US |
| Ruth Leaf | Venice | CA | USA |
| Sally Blanks | Anchorage | Alaska | U.S. of A |
| Sarah Hauser | New York | NY | U.S.A. |
| Scott Cook | Dunfermline | Fife | United Kingdom |
| Sharen Linder | Palatine, | ILLINOIS | USA |
| Sharri LaPierre | Vancouver | WA | USA |
| Shireen Holman | Montgomery Village | MD | USA |
| Sue Salsbury | Waterloo | Iowa | usa |
| Sylvia Taylor | Freeville | NY | USA and Ireland |
| Tom Kristensen | Sydney | New South | Australia |
| Viza Arlington | Cheney | WA | USA |
| Wanda Robertson | Molalla | OR | USA |
| Wouter ten Broek | Waimauku | New Zealan | New Zealand |
DETAILS INSTRUCTIONS
TO PARTICIPANTS! PARTICIPANTS
LIST
STAY TUNED FOR PUZZLE PROJECT
#2, COMING IN SPRING/SUMMER 2004...
DIARY IN PHOTOS:
JUNE 2003 | OCTOBER
2003 | JANUARY
2004 | FINAL IMAGE
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